Michael McManus: Roots

25th October 2018 - 24th November 2018 | Preview Thursday October 25th 6 - 8pm.

McManus

“I have been working with wood for over twenty years mostly in a sculptural way. My need to express myself in creative ways is well catered for working with this amazing medium. I enjoy commissions that involve the client, their homes or garden.

I have tutored for several years at the Poldrate Art Centre, Haddington, and take carving classes on a one-to-one basis or in groups.”

Michael McManus

UNIONgallery is delighted to host an exhibition of new works by sculptor and wood turner Michael McManus.

Taking inspiration from nature and the natural world, Michael’s inimitable works are playful, tactile and engaging. A true joy to all who see them.

We do hope you can join us for a glass of wine on the opening night, October 18th, 6-8.00pm where Michael will be present to discuss his techniques and inspirations.

MichaelMcManusSm


Alongside Michaels beautiful wood sculptures will be paintings and drawings from gallery favourites, Ian Kinnear, Joyce Gunn Cairns MBE, Janet Melrose RSW and Jenny Matthews.

compiled

The exhibition runs from 18.10.18 – 10.11.18 and we look forward to welcoming you soon.


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Established to bring the very best of the contemporary art scene to the public view, and to offer the finest service to buyer and artist alike, UNIONgallery is a gallery with a...

These are just a few of our forthcoming exhibitions. Click on the titles to find out more, or visit the Exhibitions page to see what else is coming soon.

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Reviews

A lively gathering of artists...

megan all that i am

Summer Garden Party

Yes, it’s all sunshine and roses for the Summer Garden Party at the Union Gallery, an exhibition of regular, favourite artists, including Patsy McArthur, James Newton Adams, Megan Chapman, Lucy Jones, Colin Brown and Sophie McKay Knight and Joyce Gunn Cairns. Expect a distinctively diverse showcase of amazing abstracts, fabulous flowers, posed portraits, lavish landscapes, architectural artwork, galloping horses, punchy Pop Art and comical Caricatures.

On the dove-grey painted wall to the left as you step inside, is a row of five stunning Abstract Expressionist “landscapes” by Megan Chapman, under a series title, “Echoes and Memory.”

“The foundation of my work is in the balancing of shape and line with colour, texture, and atmosphere. I enjoy creating meditative places to get lost in, such as how we dance between our inner and outer selves... to explore our connection to the world as we navigate the push and pull of life.”

Strokes that Bind

Henry Jabbour Seated Man

Henry Jabbour at the UNIONgallery

12 March 2017

Like many others locally, we’ve missed the Union Gallery since its removal from Broughton Street to larger premises on Drumsheugh Place.

A visit to the West End on Friday showed that Union’s owner Alison Auldjo has lost none of her knack for finding and nurturing great new talent, most recently that of Henry Jabbour.

Jabbour came late to painting, and was already a successful scientist with the Medical Research Council by the time he joined Leith School of Art in 2005. Consumed by this new calling, he became a full-time artist two years later.

This Life to Me is his first solo exhibition, and it’s a phenomenally successful debut.

Review: This Life To Me

 

‘Scientist who quit job to paint lands first solo art exhibit’

By Eleanor Duffy

Henry Jabbour quit his medical research job in order to pursue a love of art

henry jabbour

Photo - Colin Hattersley

An Edinburgh scientist is to open his first solo art exhibition after leaving behind his career to follow his dream.

Henry Jabbour worked for nearly 20 years in the Medical School at Edinburgh University but quit in 2010 to pursue his love of art full-time.

Despite training to be a biologist, Henry found his true calling in painting and has since studied at Leith School of Art in Edinburgh and the New York Academy of Art.

His prints and portraiture work have won praise in the art world and he is now preparing for the launch of his first solo exhibition this weekend.

Sapphire Skies

roscullen tulips 2016 ii jenny matthews

A solo exhibition by Jenny Matthews: UNIONgallery – a bouquet of fragrant flowers

6 September 2016

UNIONgallery is owned and managed by contemporary artist Alison Auldjo. Originally opening on Broughton Street in 2009, the stylish new premises at the West End has the ideal space and design over two floors to show solo exhibitions, mixed collections, crafts and sculpture. The emphasis is on showing work from established painters who do not exhibit in Scotland, to exciting new Scottish and international talent.

Jenny Matthews studied at Edinburgh College of Art under Elizabeth Blackadder DBE, John Houston and Ann Oran, graduating in 1986. Since then, she has earned a fine reputation as an accomplished watercolourist, exhibiting in the UK and abroad.

Stepping into the Uniongallery to see her new solo exhibition, ‘Sapphire Skies,’ is like taking a stroll across country meadows and along the seashore, so tangible that you can almost smell the fragrant flowers. The soft shades of pinks, mauve, coral red and corn yellow, capture their natural beauty and texture, from beautifully arranged vases and bouquets to land and seacapes and decorative still life compositions.

Here are the first buds of Spring and Summer gardens, a flourish of sweet peas, irises and parrot tulips, as well as pretty thrift and lichen sprouting along the rocky shore at St. Abbs. The artistry is exquisite, meticulous botanical drawings, detailing each petal, stamen, puffs of pollen and green leaf, enhanced through the subtle tone and translucent quality of watercolour.

Jenny Matthews | Union Gallery

Three Jenny Mathews paintings at the Union Gallery

16 August 2016 Adam Barclay

UNIONGallery, 4 Drumsheugh Pl, Edinburgh
Exhibition continues until September 12
Open Monday to Saturday 10.30am – 5.30pm

The UNION Gallery had their first solo exhibition launch at their new premises on Drumsheugh Place this week, and what a strong first impression it was! The new space, previously a low ceilinged charity shop, is unrecognisable as a classic Edinburgh gallery, resplendent with cornicing and high ceilings! It makes for a fantastic space to show off the works of award-winning water-colourist Jenny Mathews in her third solo exhibition.

The pieces on display are varied in style and dimension but all share a distinctly high quality and impressive artistic feel. With several pieces having been reserved even as they were being hung, it was obvious that Jenny’s work is in high demand. Large works to tie whole rooms together were displayed, alongside horizontal sets, unusual for the artist, and smaller high-detail pieces. Jenny studied botanical illustration under Dame Elizabeth Blackadder and the inspiration is clear in her work, supremely detailed botanical images but with a clear style of her own.

From The Blog

Worlds of Possibility - The Art of Colin Brown

Colin Brown 1

June 13, 2018

By Georgina Coburn

Photo by and copyright Georgina Coburn

Nestled in a listed timber building, layered with time and industry, I find Colin Brown working on his latest painting. Natural light from the window streams in on the easel, illuminating layers of detail and experience. For twenty years Brown’s studio in the Northeast coastal town of Stonehaven has been a harbour for his practice. For an artist driven to excavate cumulative human marks, it’s a welcome place of regeneration. Here he can sift materials gathered from his travels and transform them into dynamic, finely balanced compositions.

Brown’s distinctive work combines painting and collage techniques, formal design and accidental marks in ways that evoke the passing of time and experience of generations. We feel that these highly crafted surfaces could be sections of city walls plastered over with signage, subject to erosion and the density of human life. Unlike many post Warhol contemporary artists that use urban fragments, Brown’s emphasis is not mainstream cultural references or commentary. The energy of European cities like Berlin with their human history and vibrant reinvention, free his work from the dead shine of American Pop Culture.

Megan Chapman Abstract Painter

Return Home by Megan Chapman

Artist Interviews on the Jackson's Art Website

26th July 2018 by Julie Caves

Megan Chapman is an American artist from Fayetteville, Arkansas who lives and works in Edinburgh, Scotland. Her abstract paintings are a balancing of shape and line with colour. In addition to her painting, Megan mentors artists, she has created a series of videos called Tuesday Studio Video Visits and for the last 11 years she has written about her practice each week on her studio blog. Her paintings have recently been a part of the HBO TV series True Detective. I asked Megan some questions about her painting practice and ideas.

Julie: Tell us a little bit about your artistic background/education.

Megan: I grew up in a house full of books, music, and art, in Fayetteville, Arkansas. Because of this, I have always been interested in the arts ever since I was a small child. Ultimately painting became the strongest calling.

Art Scotland Interview with Kevin Low

Sisters IV

16th August 2017

Kevin Low is an artist living and working in Glasgow, his new exhibition Women & Men is currently on show at the Union Gallery in Edinburgh.

What drives your passion – when did you know that art is what you wanted to do?


It’s an obsession. It’s something I have to do, or I get sick. I hesitate to say that because I think that’s how most artists feel. I don’t have a choice. That makes it sound like it’s a chore, like being bullied by the subconscious, but nah, it’s a bloody thrill, every time. There is nothing better in the world than creating stuff.

As a kid, I grew up on a farm. I expected to become a cattleman, I really did. It was a very small world. I think it was pop music that gave me that first buzz in my gut, that invitation to step away from the ‘real world’. Mr David Bowie, I owe you a lot.

Zone One Arts Interview with Henry Jabbour

College Porter 2 by Henry Jabbour

You trained initially as a biologist and worked as a scientist, has this part of your past influenced your current art practice of painting people?

I am sure it has but sometimes it is very difficult to pinpoint how.

I firmly believe that the way I look at, and my empathy towards, the human figure is hugely influenced and informed by my past experiences (being brought up in Lebanon at the time of the civil war) and my subsequent education.